"Hamlet 2" sends up suburbia in rowdy fashion

Wed Jan 23, 2008 6:10am GMT

Actor Steve Coogan arrives to attend the premiere of the film ''Hamlet 2'' during the 2008 Sundance Film Festival in Park City, Utah January 21, 2008. REUTERS/Lucas Jackson

Actor Steve Coogan arrives to attend the premiere of the film ''Hamlet 2'' during the 2008 Sundance Film Festival in Park City, Utah January 21, 2008.

Credit: Reuters/Lucas Jackson

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Hamlet 2

By Duane Byrge

PARK CITY, Utah (Hollywood Reporter) - If art-house theatres still do weekend midnight showings where everyone dresses up as characters from the film, "Hamlet 2" would be a fitting selection. An erratic, freewheeling satire of Middle American mores, it should thrive as a festival curio, appealing to anti-establishment sensibilities.

The film's marketers will face a challenge inducing the word-snobs of the smart set to slum with slapstick entertainment. Still, there's enough rowdy and off-the-wall humour in "Hamlet 2" to perform princely at the box-office, particularly in college-city venues.

A slam-bang patchwork of more inspired comedies, such as "Ace Ventura: Pet Detective" and "Borat," "Hamlet 2" centres on Dana Marschz (Steve Coogan), who attempts to teach drama in a Tucson, Arizona, high school. With delusions that he is soaring to great heights like Icarus, this doofus presents high school plays based on his favourite movies, including "Dead Poets Society" and "Mr. Holland's Opus," which appeal to his inflated ego but leave his charges flat. His productions are major fiascos, rightfully skewered by a ninth-grade drama critic.

In one of the movie's many funny lines, Marschz admits that his life is like a parody of tragedy: He's infertile, his wife is having an affair with their roommate, he has father issues, and he's a recovering alcoholic. Not to mention, he's talent-less.

Dramatically, "Hamlet 2" is a twist on the formula of let's-put-on-a-show, with the twist being that no one wants the show, least of all the administration, which has chopped the school's art funds. Even arts-funding advocates would notice that Marschz's grandiose piffles are a major waste. As such, the film unwittingly makes a case for slashing funds for the arts. Lo, and unfortunately we behold, Marschz does smite the school board Philistines (not exactly a difficult target) with a last-ditch rally and a from-the-rafters opus.

Unlike Ace Ventura, Inspector Clouseau or other lovable loonies, Marschz is merely a knucklehead errant. He's a creep, but he's nicely endeared to us by Coogan's funny, fey performance. Among the players, Elisabeth Shue delivers a winning rendition of herself; her appearance as a Tucson nurse who has rejected her show business career is one of the film's best absurdities. Similarly, Amy Poehler is hilarious as a WASP-y, anti-Semitic ACLU lawyer.

Screenwriters Andrew Fleming and Pam Brady have slapped together a string of gags in a hit-and-miss dither. Some of it is quite brainy. There's an appealing anarchic tone and anti-authority bent as well. There also are zany surrealistic moments and a devilish eye for incongruity, especially a rousing rendition of Elton John's "Someone Saved My Life Tonight" as belted out by the Tucson Gay Chorus for the boondocks high school audience.

Director Fleming blasts the production along with keen comic pacing, which performs double duty in masking some of the more dim-witted moments.

Technically, "Hamlet 2" is distinguished by production designer Tony Fanning's sendup of Southwestern suburbia.

Cast:

Dana Marschz: Steve Coogan

Brie Marschz: Catherine Keener

Herself: Elisabeth Shue

Cricket Feldstein: Amy Poehler

Gary: David Arquette

Principal Rocker: Marshall Bell

Octavio: Joseph Julian Soria

Rand Posin: Skylar Astin

Director: Andrew Fleming; Screenwriters: Andrew Fleming, Pam Brady; Producers: Eric Eisner, Leonid Rozhetskin, Aaron Ryder; Executive producers: Albert Berger, Ron Yerxa, Michael Flynn; Director of photography: Alexander Gruszynski; Editor: Jeff Freeman; Production designer: Tony Fanning; Music: Ralph Sall.

Reuters/Hollywood Reporter

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